Green Lung and Unto Others conquer Kentish Town: a night of rituals and riffs

22 February 2025, O2 Forum Kentish Town

In a packed Kentish Town Forum, fans gathered to witness the dark majesty of Unto Others and the riff-laden power of Green Lung. As the night unfolded, it became clear that the venue could barely contain the energy radiating from both bands, each delivering explosive sets that left no doubt they are destined for even greater heights.

Words & Photography: Aggie Anthimidou

Satan’s Satyrs

Kicking things off, Satan’s Satyrs set the tone with their unapologetic, full-throttle rock ‘n’ roll.

Drenched in ‘70s estestic, the band channeled a raw, electrifying energy, with their frontman Clayton Burgess exuding a Jagger-esque flair. Loud, gritty, and utterly untamed, their performance was a relentless blast of psychedelia and unfiltered garage rock attitude.

 

Unto Others

Unto Others embody the new era of gothic rock, seamlessly blending moody aesthetics with a sharp metal edge. Appealing to both fans of goth rock and classic heavy metal, the band is bridging two seemingly different worlds.

 

 

They take the stage in flowing black trench coats and dark shades, exuding effortless cool vampire chic. Their sound is just as striking—rich, brooding, and laced with a glam goth infused heaviness. Frontman Gabriel Franco’s eerie baritone vocals are the perfect embodiment of Unto Others’ dark allure—melancholic, reflective and hypnotic.  Captivating guitar solos from the masterful Sebastian Silva, an enchanting stage presence,  added a fiery edge to the set. While Brandon Hill’s thunderous bass lines and Colin Vranizan’s pounding drums drove the momentum forward.

 

 

It Doesn’t Really Matter and Can You Hear the Rain from Don’t Waste Your Time showcased their soaring, beautifully executed guitar solos.

 

 

Tracks from Never, Neverland, such as Butterfly, the driving Momma Likes The Door Closed, and the melancholic Suicide Today, pulled the audience further into the band’s shadowy world. Meanwhile, their gothic take on the Ramones’ Pet Sematary only added to the momentum before bringing the night to a stunning close with the emotional weight of Dragon, Why Do You Cry? 

 

 

The future of gothic rock is in great hands, and Unto Others are leading the way. And with their signature blend of shadowy melodies, driving riffs and hauntingly vocals, they’ve proven they’re not just keeping the genre alive; they are pushing it forward.

 

Green Lung

London’s own Green Lung took over Kentish Town with a thunderous, riff-fueled performance that cemented their status as one of the most exciting bands in the modern metal scene. What started in intimate venues like The Black Heart has now evolved into a packed-out, high-energy show, proving just how far the band has come since their formation in 2017.

 

 

Adding to the show’s mystique, all-female folk trio The Oosettes (also known as Something Sleeps) joined the tour as special guests. Their haunting harmonies and ethereal melodies were the perfect pairing to Green Lung’s occult-laden heaviness.

 

 

From the moment Green Lung stepped onto the stage, the atmosphere was electric. The crowd, already buzzing with anticipation, erupted as the band launched into the set that showcased their signature blend of occult rock, doom-laden grooves and dreamy guitar solos. While they paid tribute to their earlier work, the setlist leaned heavily on their latest album, This Heathen Land, a record that has further solidified their reputation for crafting anthemic, mystical metal.

 

 

Frontman Tom Templar commanded the stage with theatrical charisma, while guitarist Scott Black unleashed a flurry of vintage metal – infused, shredding solos. Joe Ghast (bass), Matt Wiseman (drums), and John Wright (keys) provided the backbone, delivering both crushing heaviness and eerie psychedelia.

 

 

One of the night’s highlights came with Forest Church. With its arena-rock powered energy, it provided a preview of where the band is heading next. Green Lung’s music thrives on grand storytelling and their performance was nothing short of ritualistic. Songs like Hunters in the Sky and Maxine (Witch Queen) had the audience chanting along. The night reached a brooding climax with One for Sorrow; slow-burning and atmospheric.

 

 

 

With The Oosettes weaving their folk magic into the night’s proceedings, the entire show felt like a journey through Britain’s mystical past, blending folklore, metal and theatrical grandeur into one unforgettable experience.

 

 

Green Lung are no longer just rising stars; they are a force to be reckoned with.